Passionate Team. Award Winning Project.
Everyday Pakistan is an organisation/community dedicated to elevating and celebrating the work of visual storytellers from Pakistan. Our goal is to help create opportunities for members of our community to learn through mentorship and educational programs, to work by connecting them to various funding and employment opportunities, to publish and exhibit their work by connecting them to editors and curators and finally to provide a platform for collaboration and community building. We are particularly interested in supporting emerging photographers.
Our growing visual directory consists primarily of local photographers working in documentary and fine art photography and hopes to connect the world to the creators and the creators to the world.
Meet The Creator
Anas Saleem is a writer and photographer based in Faisalabad, Pakistan. He is the founder and curator of Everyday Pakistan, an award-winning visual storytelling project documenting daily life in Pakistan. His bylines are published in Global Voices, Huffpost, Express News, Hindustan Times, Advox, Youth Ki Awaaz, and Dunya News. He has been featured in Quartz, Gulf News, DW, Indian Express, Dawn, Asian Photography Magazine, Firstpost, Scroll, Pakistan Today and The Wire. Currently, he is a Mass Communication student at GC University Faisalabad.
1. Truth in storytelling.
Photography and visual journalism connect and inform, but too often are used to create misleading, one-dimensional impressions of many parts of the world. In the right hands, images have the power to dismantle harmful misperceptions, and can be a force for amplifying perspectives of people and communities that, for too long, have been marginalized.
Focusing on the “everyday” does not mean that we focus solely on the positive. Everyone’s daily lives, after all, consist of a broad spectrum of experience. When photographing the issues of our time, we do so with an eye toward greater context and human impact – we believe that news photography’s focus on generating sensationalized “iconic images” has served to further stereotype people and places across the globe.
Now and always, we must focus on what we can learn from each other and how we can support and stand up for one another.
In order to effect lasting change, we must endeavor to reach young people, using our imagery in classrooms to demonstrate the urgent necessity of challenging toxic stereotypes and thwarting the urge to regard the “other” as exotic.